Scriptnotes Ep. 79: Rigorous, Structured Daydreaming (How to Write a Scene)
by John August, Craig Mazin · Scriptnotes
John August and Craig Mazin work through August's step-by-step method for writing a single scene: what it must accomplish, whether it can be cut, who is in it, where it happens, its surprise, length, entry point, and scribble draft.
More resources on Scene Construction
Scene & Structure
The only widely used book devoted entirely to scene mechanics (goal, conflict, disaster, sequel) and pacing via scene/sequel rhythm. Jack Bickham's guide to building stories scene by scene: the goal-conflict-disaster scene pattern, reaction sequels, and how linking scenes and sequels controls pacing. It is written for fiction, but its cause-and-effect scene mechanics carry over directly to screenplays.
Scriptnotes Ep. 450: Only the Interesting Scenes
August and Mazin argue that every scene in a screenplay must be actively interesting, diagnose common excuses for dead scenes (moving characters, delivering exposition, setups), and give techniques for reworking or cutting scenes during revision.
Screenwriting: The Sequence Approach
Paul Gulino's study of feature screenplays as a series of roughly eight 10–15 minute sequences, each with its own tension and resolution, analysed through films such as Toy Story and Chinatown, so writers can plan and diagnose long-form structure.
scriptmag.com
Script Magazine is an online publication for screenwriters featuring craft-focused articles, interviews with industry professionals, and practical resources like sample scripts and market news to help you write, develop, and pitch your projects.