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Dialogue Editing for Motion Pictures: A Guide to the Invisible Art (2nd Edition)

by John Purcell · Focal Press / Routledge

A working feature dialogue editor's manual on production-track repair: matching room tone, splitting tracks for the mix, handling ADR and group loop, fixing sync drift, and choosing between takes. Assumes DAW fluency and a working post pipeline.

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No Film School

Podcast from the No Film School website featuring interviews with screenwriters, directors, cinematographers, editors and producers, plus news on cameras, lighting and filmmaking apps, helping independent filmmakers understand craft decisions and build careers in film and television.

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Tonebenders Podcast

Interview series running since 2012 with supervising sound editors, designers, and re-recording mixers about specific film, television, and game projects. Episodes break down field recording sessions, how individual effects were built, and the reasoning behind mix decisions.

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The Fairlight Audio Guide to DaVinci Resolve 20

Official lesson-based training manual for the audio page of DaVinci Resolve, with downloadable project files. Covers track layout, dialogue cleanup, sound effect and Foley placement, ADR recording, automation, bussing, reverb, and mastering to broadcast loudness targets.

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Walter Murch: Womb Tone & Dense Clarity - Clear Density

Two pieces by the sound designer of Apocalypse Now. 'Womb Tone' on why hearing precedes sight developmentally; 'Dense Clarity' lays out his encoded-to-embodied sound spectrum, the Law of Two-and-a-Half, and a practical ceiling of five simultaneous layers, illustrated with clips. The one framework that answers 'how many sounds can a mix hold and which ones fight' with a testable model rather than taste.

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Designing a Movie for Sound

Essay by Skywalker Sound's design director arguing that a soundtrack is determined by decisions made at script and shooting stage, not in post. Covers writing for acoustic space, location choices, dialogue economy, and building character through sonic environment.

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Producing Great Sound for Film and Video (4th Edition)

Covers the complete audio chain for video work: microphone choice, location recording, dialogue editing, sound effects, music, noise repair, processing and the final mix. Includes downloadable audio examples and troubleshooting sections for common production-sound failures.

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